FORSYTHIA IN THE CITY

JACOB WRESTLES THE ANGEL

The Vision After the Sermon (Jacob Wrestles the Angel) 1888, is a striking and memorable painting by Gauguin.  Having never studied the Old Testament, there are holes in my understanding of the imagery.  Knowledge of such stories can add understanding and enjoyment to both ecclesiastical and secular works of art.   However, getting to the bottom of why Jacob was wrestling with the angel highlights inconsistent interpretation of biblical text made more glaring by Google.  Here's what we came up with, striving to not add further complication and acknowledging that this is only a veneer of a complicated subject:

Jacob was the twin brother of Esau, son to Isaac and Rebekah, and grandson to Abraham and Sarah.  He was born second, clutching his brother's ankle (Jacob means "leg-puller"), with the prophecy that his elder brother would serve him.  Through trickery Jacob obtains Esau's birthright and is forced to flee from his elder brother's wrath.  After 20 years away and much prosperity, Jacob decides to return home to Canaan.  Along the way he hears that his brother marches to meet him with 400 men.  Jacob sends Esau gifts such as flocks of goats to preceed their meeting.  At the ford of Jabbok, Jacob is left alone for the night and meets a man, (also described as an angel, God, or being) who wrestles with him until dawn.  The being cannot best Jacob, but touches his thigh, leaving him limp for life. Jacob will still not release the angel until being blessed.  After renaming him Israel (meaning "a prince with God"), the angel blesses him and departs without telling Jacob (now Israel) who he is.  Israel names the spot Peniel meaning "the face of God".

Why does this supernatural being wrestle all night with a mortal when he could so easily beat him?  Why are they fighting at all?  Jacob is seeking the blessing of forgiveness from his brother.  The long wrestling bout is a test of his dedication to this wish and could be seen as an analogy to a more internal mental struggle to do the right thing.  He is marked by a limp and new name after the meeting with the angel, indicating that "seeing God" or following the right path will change your life irreparably.  

This, of course, is loose talk.  Here is the text from the King James version for your reference. 

From Genesis, Chapter 32

24 And Jacob was left alone; and there wrestled a man with him until the breaking of the day.

25 And when he saw that he prevailed not against him, he touched the hollow of his thigh; and the hollow of Jacob's thigh was out of joint, as he wrestled with him.

26 And he said, Let me go, for the day breaketh. And he said, I will not let thee go, except thou bless me.

27 And he said unto him, What is thy name? And he said, Jacob.

28 And he said, Thy name shall be called no more Jacob, but Israel: for as a prince hast thou power with God and with men, and hast prevailed.

29 And Jacob asked him, and said, Tell me, I pray thee, thy name. And he said, Wherefore is it that thou dost ask after my name? And he blessed him there.

30 And Jacob called the name of the place Peniel: for I have seen God face to face, and my life is preserved.

31 And as he passed over Penuel the sun rose upon him, and he halted upon his thigh.

 

 

GRINDER + VASE

Today's finds at the St. Lawrence Market were a MyBlend coffee bean grinder, made in Japan, by Fuso Keigokin K. K. and a black matte vase, made in America, by Haeger.  This nice pairing of utilitarian-functionality is a welcome addition to our apartment.

BODYSUITS

Debbie and Janine had the right idea when they hit up Sammy for a ride to the field party.  His 4 door sedan was a step up from Kevin's Civic and he always had snacks in the glove box.  When the night turned sour with Janine's accident, he was a good sport and drove the girls home. All-dressed Ruffles and a bedroom dance party with Shania made things right, and no one remembered by Monday.

From the collection of Adrienne Kammerer

KRISTAN HORTON : A HAPTIC PORTRAIT OF GROPING IMAGINATION

Barrie is home to one of Southern Ontario's finest regional galleries, The MacLaren Art Centre.  We were lucky to visit a few weeks back for a survey of Kristan Horton's work, curated by Ben Portis.  We spent a long time enjoying this exhibit, and walked away imbued with the activity and anxiety that permeates so much of Horton's work.  

Using photography, video and digital media alongside drawing and sculpture, Horton's practice is diverse and episodic.  Taking the mundane objects, garbage, and ephemera of his studio, he engages with this chosen environment and explores what is within his immediate reach.  His process embodies a youthful energy that results in work that asks sophisticated questions about one's relationship to space, objects, technology, and time.  In viewing this retrospective, we saw and connected to a theme of ritualized labour.  Many of the pieces exhibit notions of work itself, either by their content expressing elements of process and the act of making, or by the obvious commitment to an intensive making experience needed to create them.

Paradoxically, an artistic practice restricted by self-imposed confines can open the scope of creation and discovery to limitless outcomes.

Don't miss A Haptic Portrait of Groping Imagination, on until May 26, 2013.

Installation photography by André Beneteau, copyright MacLaren Art Centre, 2013

 

 

THE WEIRD NEIGHBOUR : PARTHENON JUNIOR

Greece could use a little of this enthusiasm these days.  I love how completely the owner has transformed their Edwardian two storey into a monument to their homeland.  The dressing doesn't seem to stop with the front yard but encrusts the sides and follows into the back.  Imagine what's inside.